I really think that by focusing on that one particular word or really in this case, a sentiment, I really felt empowered to go after the things that was going to push me in that one direction – happy.Read More
Saturday night, August 23rd will see the Royal Exchange (34 Bolton St.) redound with spoken word poetry as it hosts the Newcastle heat of the Australian Poetry Slam. The competition is open to anyone and will see twenty contestants engage in two minute monologues to an adoring crowd. Within the audience will be five randomly selected judges (traditionally by freddo frogs being flung into the throng). They will give each performer a score out of then. The victor and the runner up of the night wins cash prizes of two hundred and one hundred dollars and the ovation/jealousy of their peers, not to mention a chance to compete in the state finals in Sydney. Slam poetry is not the same as those tired old poems we were made to analyse in high school English. You will not be asked to outline the string of metaphors or use of alliteration at the end of a performance. Instead, slam poetry is spoken from memory and relies just as much on the sound and rhythm of words as the meaning of those words. Edgy and current, slam poems often tackle a range of issues such as race, gender, politics, death and sex. But there is a lighter side as well, previous slam finalist Alex Martin stormed his way to the state finals in 2012 with his poem ‘Privacy Man Livedeth.’ In this piece Martin sent the audience into resounding laughter with lines like,
‘The good thing about being Privacy Man,
Is that I can read in peace, naked.
I can write in war naked.
I can be Privacy Woman, in my privacy, With my parts, oh, so very private …’
What makes slam poetry sharper than poems written in books is the stakes of competition and the pressure of the strict two minute time limit. The poem must appeal to the audience.
Slam poetry began in a little town in the United States called Chicago in 1989. Sick of going to poetry readings where poets mumbled their verses while nobody listened, Marc Smith began a poetry night where people were expected to perform their pieces and the best performer won a prize. Soon poets started to actually memorise their pieces to improve their performances and poetry slamming was born.
The movement migrated from Chicago to Australia with Miles Merrill, now Creative Director of Word Travels. Word Travels is a not-for-profit literary, literacy and arts organisation that runs poetry workshops for the public as well as school groups. By far their largest undertaking is the Australian Poetry Slam. This national competition started in Sydney in 2004 and now has heats taking place in regional areas right across the country.
Last year the slam culminated with the Word Travels Festival in Sydney which included three days of street performances, workshops for competition finalists and the national slam final.
Performing at the final, Newcastle’s own Jesse John Brand won the entire competition with his poem ‘Joshua.’ As slam champion Brand has since toured internationally performing in China and Indonesia. He has also published his first poetry collection Cranes Falling in Unison in May. Brand is the second Novocastrian to take out the title. In 2009 Sarah Taylor went from retired librarian to poetry superstar with her off kilter rant about sex aids and the taboo of later life love making.
You can see Brand in performance when he hosts the Australian Poetry Slam’s Newcastle heat. Sign ups to perform start at 6:30pm, so get there early if you want to enter. The night will kick off at 7pm. Tickets can be purchased at the door for $5.
For more information go to: http://australianpoetryslam.com
or contact slam coordinator David Graham: email@example.com
Caspar David Friedrich’s painting, Wanderer above the Sea of Fog (1818), depicts a young man at the pinnacle of a mountain staring out at a landscape of crags surrounded by mist. His back is turned to the viewer and we are unsure whether his gaze is one of awe, horror or triumph over the huge expanse of nature.I feel just about the same peering into 2014 and what it could mean for Word Hurl. References Romanticism aside, it should be pretty freakin’ awesome! Of course, there’s the continuation of the Anti-Slam, a no rules open-mic spoken word and poetry night, but there’s also the next evolution of the Word Hurl Newsletter: The Word Hurl Times Magazine. Word Hurl Anti-Slam restarts on February 6th at The Terrace Bar at the sexy later time of 7pm. So you should get on down there after some kind of lovely dinner and spark your mind into a frenzy with a desert of spoken word poetry mischief and malarkey. This year’s themes will revolve around the mythological and our first is the Ouroboros. An Ouroboros is a snake that is devouring itself by chewing on its tail. Allusions to eternity and never-ending cycles spring to mind, right? So it did for a myriad of ancient cultures. The Ouroboros appears in the Ancient Egyptian book of the dead, Norse mythology and also in South American folk lore. In various ways the self-cannibalising serpent represents the beginning and the end of time, a start and finish that creates a sort of ‘forever-present.’ But what does this mean for Word Hurl? Well, that’s up to you. Like everything at Word Hurl Anti-Slam, the themes are non-compulsory. You could come and do a piece on the eternity of existence as symbolized by the Ouroboros or you could come, sit down and enjoy an open-mic spoken word night. Conversely, you could not come and never know what happened at that exact point in the forever-present at The Terrace Bar between a group of people who hardly know each other. It’s up to you, but as a doctor I recommend you come, oh yes, please do. Since the beginning of last year, Word Hurl Anti-Slam has been documented and promoted by the Word Hurl Anti-Slam Newsletter. From modest beginnings this monthly emailed .pdf has come to comprise around twenty-five pages of creative endeavors from a wide array of people living in the Hunter and beyond. We’ve had articles, artworks, short stories, ranting columns, event promotions and, of course, poetry. With a growing team of people volunteering their time, 2014 will see the Newsletter become the Word Hurl Times Magazine. An immodest project with the aim of building a literary and arts journal based in Newcastle that follows the ‘ideals’ of an anti-slam. These include an inclusive editorial policy, i.e. any contribution of any kind is welcome, an interest in supporting anything creative and an engagement with people actively promoting the arts. You can find the Word Hurl Times Magazine and past issues of the Newsletter on the Word Hurl Facebook Group page or you can email firstname.lastname@example.org to subscribe to future editions. If you would like to contribute anything to the magazine then send it to that address too! Then stand precariously at the top of a mountain, stare out at the unfolding vista of promontories and yawp.
Do you Like Poetry? Do you Like performance art?
Do you Like Booze?
Hopefully you answered Yes to at least one of these, in any case you should probably check out the Word-Hurl Newsletter we have attached at the bottom of this article and check out some of the highly creative pieces from some pretty amazing people.
Word Hurl Anti-Slam... doesn’t know
At Word Hurl Anti-Slam we don't have all the answers. Actually, we don't have any of the answers. I don't even think we have any questions either. Just a whole heap of no rules open mic spoken word and poetry.
Thursday 5th of December 6pm signup 6:30 start
The Terrace Bar 529 Hunter St Newcastle