Bravo Victor's, 'Fire & Ice', Live Music Video - Out Now! by Hannah Stretton

Back at it again, with yet another beautifully shot music video, is the illuminating duo - Bravo Victor. This time, with a stripped back rendition of 'Fire & Ice', a fan favourite and vocal crescendo from their self-titled EP. Lucky for us all, the video has come out a little earlier than expected too, which is an epic treat for Bravo Victor fans and some, hopefully, newly acquired fans. 

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2 Minutes With... Mitta Norath by Ryan Williams




So this year has been massive for you Mitta with your work with Staunch, Eat Your Heart Out and Fingers Crossed. You’ve become Newcastle’s go-to heavy music guy. Are you stoked with how it’s all going?

Yeah I’m fucking stoked all the time, every day. The other band that should have been in that list was “Those Things” from Sydney. They’re a rock n’ roll punk band, like The Bronx. Party rock. I did a 10-inch for them last year, and then a 7-inch this year.

Another band I’ve recorded recently that I’m really happy with is a band called “Under Grey Skies” that were around a year or two ago. They’ve just finished up some songs up recently and are about the release those. Really heavy, full on shit.

It’s been cool this year because I’ve had so many different projects. Like “Those Things” are like a Fender Deluxe Telecaster sound, while the stuff I was working on last week was 7-strings tuned to drop A.

Heavy music is my passion obviously. I’ll always play that and always love it, but it’s good having a few different things on your plate to keep things interesting.

Another good thing about it is when you learn something from a certain genre, it’s going to cross over into others. A lot of metal production these days has heaps of pop elements in it. So that kind of massive sound metal sound, a lot of it is derived from pop techniques. For example the dude that mixes My Chemical Romance is traditionally a pop mixer who moved over into that heavy stuff so now you’ve got this super clean, massive Fall Out Boy kind of sound. So bands like Bring Me The Horizon are going for this type of production now.

It’s cool in the respect that I get to do everything, like this year I got to engineer two country pop albums for solo female artists. Lauren Wheatley from Newcastle and Innocent Eve, a female duo from Queensland. I got to mic all these instruments that I hadn’t even seen before, let alone played. Just getting to do new stuff all the time and not getting bored, because being bored sucks. Doing the same album over and over again sucks too.

So how is Lauren Wheatley Doing?

She’s doing really well! She’s getting a lot of airtime on CMC these days, which I find crazy to be honest. Also some people like fucking country music for some reason. [Laughs]

Should I put that in?

If you want to [Laughs] Her's is more of a country pop crossover.

There’s a lot of that floating around these days.

Dude it’s huge now, and it’s the mainstream. You know like Keith Urban, Taylor Swift and Morgan Evans. These are all like country artists, who are now considered pop.

Dude I have a really funny story actually, about a week or two ago I filmed Marsha Heins in Sydney. She was doing one of her shows on her tour and I went and filmed it for her DVD or some shit. It was really cool, and I totally didn’t expect it though. I was like Marsha Heins, Australian Idol, 70s, and now man, I just listen to her stuff all the time! I was just on YouTube and I had one of her ballads on, and it’s about being faithful, and being in love with people, and I seriously almost cried. It’s gotten to me. It’s that old 70s stuff that makes you feel good.


What was influencing you when you were a young lad?

How far back?

You can go back as far as you like.

Like out of the womb?

If you want.

I don’t know if I did the standard thing that everyone did, but my dad bought me up on Michael Jackson, Queen and things like that. Kind of classic rock and roll as well as crossover pop rock stuff. So a lot of that stuff is still my favourite. I went through that heavy stage that everyone goes through, Frenzal Rhomb, Blink 182 (Enema of the State), which led into Slipknot, which led into Death Metal, and then got heavier and heavier until the point when, you know, I listen to noise and shit now. To me that’s as heavy as it gets. But that’s debatable obviously.

I think like everyone I’ve had the standard evolution of taste, where it just changes from one thing to another. Because of my job and because of the nature of my surroundings I believe I have a pretty eclectic taste. I like a lot of different, weird things.

I think you’ve got to have your head fairly in the sand to not like a lot of things. When I was about 18-19 I used to be one of those dudes who hated anything not metal. “You listen to something that’s not breakdowns? What’s wrong with you?” So I was just one of those fuckwits. Then I hit 20-21 and realised that the only person I’m hurting with this shit is myself. There’s so much out there to enjoy, why am I worrying about what other people think. So I guess I let go of the ego in that respect, and now I just enjoy whatever, whenever. Fuck I liked that Carly-Rae-Jepsen when it came out, and that’s fucking embarrassing.

You’re all grown up.

I don’t believe that there’s such a thing as a guilty pleasure. I think if you enjoy something you should be able to enjoy it.

How is Regresser going?

Regresser is going good. We’re on a bit of a break now because we’ve got an injury.

Well yeah, what’s going on with that?

Just dumb shit. Drunken tomfoolery. I just fractured a little bone in there, so it’s not a big deal. Everything should be back to normal in a week or two.

So yeah, we’ve had two releases this year, which makes it feel like we’ve been doing it for two or three years so far. We released an EP at the start of the year, and then we’ve released a single for fun. Now we’ve got a whole new release recorded which is ready to go, but we’re just one of those bands that re-does things again and again. When you hear a Regresser song, you’re really hearing the third recording of that. We’re sitting on this release for now until the right time. The dudes in the band are all eccentric and weird, which is what I like. They can be very strange in the decisions they make.

Right now we’re writing and trying for pre production for an album or a long EP or something like that.

How does all this work fit in with you in the producer’s role? How does that slot in with the creative process? Do you think you hold a certain power over the way the recordings come out?

With that band and most bands that I’m creatively involved in the writing process I’d say I’d end up taking a producer’s role most of the time. Because I’m a drummer I end up structuring a lot of things, and the other guys might bring in ideas and I’ll either contribute to that or help rearrange things. I’ll try and look at things not so much from inside the band’s perspective, but from outside the band’s perspective. So because the guys are more intensely involved in the writing of the music, I try and remain objective to what might be working and what might not be.



How do you feel about the music scene in Newcastle at the moment? Do you think this town a hub for heavy music?

I think Newcastle has always had a massive music community. The city has one of the highest bands per capita in the country, if not the world. It was number 1 for a bit in the early 2000’s, I’m not sure if it still is though. So for that reason I believe we have a very rich musical culture. We’re responsible for Silverchair and I don’t know who else.. Marsha Heins? [Laughs]

The Screaming Jets

Exactly. It’s all very work orientated. I’m a little bit jealous of the Sydney scene in that respect because of the diversity of ethnicities, incomes and backgrounds they’ve got down there. There is so much music down there. Having said that, because there are so many fish in that sea, people don’t seem to care as much. So you can be a fantastic band in Sydney and have nobody give a fuck, but be an average band in Newcastle and people really care. So that’s kind of cool.

I like how Newcastle is kind of niche-y. You’ve got to have a groove to get anywhere. I like that you can’t just form a regular-ass band that’s been done a hundred-thousand times and put it out and expect to get noticed, because people won’t care. I like how people are a bit selective and a bit elitist like that, because that breeds out the mediocrity. However at the same time, it does make it hard. You really need to be able to please a certain crowd to get noticed.

For example, noise music has it’s own culture in Newcastle because of bands like Safe Hands, Tired Minds & Coma Lies, there’s a bit of a noise scene. But if you’re in a gent band, it’s really hard these days in Newcastle to pull people. They’re all various forms of heavy music, but the scenes are all divided within. The problem is the guys that go to the metal shows, don’t go to the hardcore shows, and the guys that go to the hardcore shows never go to the noise shows. Instead of having this one big scene where everyone supports each other, it’s pretty divided out there. That hurts the scene. I think if everyone pulled together, did mixed bills and all that sort of shit, and not be bitchy, we’d be better for it.

There are a lot of young, aspiring bands out there, which I find to be really inspirational.

You get bands coming down from Singleton and the Hunter Valley to play down here.

Yeah! Staunch are from Muswellbrook and they’re killing it at the moment.

You’ve got Hombre Records on Hunter St as well, which seems like a good base for hardcore in town.

Now that you say that, it reminds me of a time about ten years ago where the scene was really massive in Newcastle. Mainly older dudes, the likes of The Dead Walk and Dropsaw. Now there are these waves of young people that are coming in like the dudes in Staunch who are eighteen-year-old kids. The scene is just full of young people now, which is what you need.

Having hardcore more in the mainstream because of bands like Parkway Drive, it’s made the idea of having a career in hardcore possible. It’s opened the music up to kids that wouldn’t normally be interested, which is awesome.

These DIY venues are really cool. I think it’s all come out of other venues shutting down left right and center. The Loft is gone. All that sort of shit. I think we’re really in a time of change too because of things like the Internet. You’ve got bands out there that are massive on the Internet that will only get fifty to one hundred payers. They’ve got twenty thousand hits on YouTube, but will only get fifty people through the door because everyone’s in their bedroom watching shit on Facebook. So being big in real life and on the Internet is two different things.

What should Newcastle Mirage readers go out and get right now local music wise?

It’s not super local but I’d definitely say check out Those Things, I have serious faith in that. I reckon it’s a wonderful CD. Endless Heights, Idols (Syd), Jurassic Penguin (Mel) & Totally Unicorn (Syd).  But if I had to choose just one... Hmm...



Do you have any advice for young kids coming out who want to write music and want to maybe open their own studio one day?

Just fucking practice. I know everyone says that, but what I mean is don’t go to Uni, don’t go to fucking JMC academy, don’t go to fucking the Con or whatever, just practice. Just buy your own shit, and sit at home and play with it.

Did you go to uni at all?

M: No. No SAE. No JMC. No fucking private college. No university. None of that shit. They charge so much money (which is cool, I know how much all that equipment costs) but you don’t need it. Just practice.

You think about all the famous producers out there, the Chris Lord-Alge’s the Rick Rubins, nobody’s going to ask what piece of paper they’ve got. They’re going to ask about what was the last CD they did. How does it sound. So that would be my biggest piece of advice.

To young bands, is to do it right and do it right from the start. Don’t go in with shitty attitudes, don’t go in expecting the world, and putting in no effort. Do it professionally. Spend money where you need to. Record a good CD. Have the right artwork. Get a good photo. Look professional, because people won’t take you seriously. Local bands...


Hang on I’ve got this.. Hold on… Umm.. There’s been so many releases lately.. Staunch have been doing really well. I think their music is fun, and they’re heaps good live. But if I had to put it on one..

This is becoming a loaded question.

It’s getting way too hard.

Your desert island Newcastle band. What is your desert island album by the way?

We’re off the Newcastle band thing now?

For the minute.

For my desert island album it would have to be a Dillenger CD. One of them. They’re my number one favorite, so it would be one of those.

But which one?

Fuck you. Probably the last one. One Of Us Is a Killer.

Newcastle Bands... Hmm... Safe Hands, Tired Minds, King Trio are doing well...

How is everything else at Tommirock going?

Good! I’d like to mention as well that I’d love to introduce some more engineers into the studio. Getting more people to come and hire out the studio space. I don’t care if you don’t want to record with me, I would just love for Tommirock to become a bigger part of the Newcastle music community. The space is useless when there’s not a band in there. It doesn’t sound any good when they’re nobody playing.

What’s next for the future?

More of the same. Bigger and better. I’ll probably be staying where I am for a while, but the client base is getting bigger all the time. As far as what I want to create, I want to engineer and produce really niche, artists and works. Likely always heavy music, but I want to take the left of center, weird, crazy stuff. I don’t want to make the same old shit.



If you're a Newcastle Based engineer and want some time in a studio space, get in contact with Mitta at to work out a deal! He's a lovely dude.

60 seconds with Madalyn Ward by Kian West


Madalyn Ward

By Kian West

1.  How would you describe the art that you make?

I am a visual storyteller who experiments with a range of mediums and processes, so to narrow down my style is quite difficult. My work is very emotive, and greatly inspired by cultural motifs and beliefs from our own cultural heritage, and by Indigenous beliefs which connect land and spirit.


2. What are you working on at the moment?

I am working on a body of work for my up and coming exhibition at four point gallery, including illustrations, clay wall sculptures and a mixed media artwork depicting my own contemporary folklore interpretations inspired by places I have lived and visited

3. Where is your next show?

At four point gallery, 30 August 2015


4. When are you most creative?

When my son is sleeping


5. Who is your biggest influence/s?

Definitely my son, as he has taught me to ‘play’ again, Yayoi Kusama for her experimental and multidisciplinary practice, Simryn Gill,


6. If you could work anywhere where would it be?

I’ve always been interested in Berlin, so I would love to do attend a residency program

Ground Floor - Novocastrians Who Brunch by Kian West

Ahhhh Ground Floor coffee. If you see a lot of cyclists at a coffee place you know the coffee is going to be good! Ground floor never disappoints with coffee. I must admit I am a bit of a frequent at Ground floor their coffee and they haven't disappointed yet! Always smooth and nice and strong perfect perk me up, especially if it's with a little sweet something something on the side. Double trouble with two cappuccinos for Dutchy and myself. Our coffee rating 9/10.

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Novocastrians Who Brunch - The Edwards by Kian West


Hey Novocastrians,  This review is a favourite from March I hope you all enjoy it. A highly recommended brunch spot!

By Ja and guest Dutchy on The Edwards...

The Edwards is down from Marketown148 Parry St Newcastle.



Before the breakfast Ja got an iced coffee and Dutchy got a small cappuccino. I really enjoyed my iced coffee and Dutchy expected a bit more from her coffee. We were loving the whole atmosphere and space of the Edwards so we stayed for another coffee after our breakfast, Ja got an espresso and Dutchy, another cappuccino. With my espresso I understood where Dutchy was coming from. The coffee was good but we expected awesome coffee from this hispter cafe/bar. We give The Edwards coffee a rating of  7/10. On FOOD

Ja got the mince, bacon and egg on toast and added tomato and Dutchy got a breakfast special: the scrambled eggs, bacon and toast. Ja's breakfast mince had a bolognese sauce with the bacon chopped up through it. Ja's breakfast sounded different but all worked beautifully for a delicious breakfast. Dutchy also enjoyed her scrambled eggs but wished she got the avocado add on. The menu was small but with the specials board gave you enough options. It is not a standard 'big breakfast' or 'pancakes' place. After finishing our breakfast we saw the muffins... we had to try one... AH-MAZING! We shared the fig and nut muffin with a hint of ginger which reminded Dutchy of her Dutch sweets. For food we give 9/10.


The Edwards tops our hipster awesome radar. They've turned the big warehouse space into a funky hipster cafe/bar that doesn't feel empty or too cramped. It fits both the breakfast/lunch scene and the new hipster bar scene which is on the rise in Newcastle (loving it). We give the Edwards 6/5! Off the charts for us, very well put together!

Side Note: We've also heard The Edwards night bar scene is pumping, very keen to come back and check it out at night!


You want to stay and catch up and order that extra coffee and (ah-mazing) muffin at The Edwards due to the atmosphere. The atmosphere along with the interesting and delicious breakfast menu will make you want to come back next weekend for catch-ups. Coffee is good, not great (our annoying high standards). All in all our overall rating is 22/25.


Brunch on Newcastle,

Ja and Company xoxo.

60 seconds with - HOREGEOUS by Ryan Williams



By Ryan Williams


nm_web_images_11Excuse my ignorance, but how do you pronounce the name of the band? It's pronounced like gorgeous but with an H, it was spelt Whoregeous for a while then we decided to drop the W for no apparent reason. It essentially means super sexy, dirty girls.

And how do you describe your sound? Influences? Rock & Roll with some bluesy elements, influences would be Queens of the Stone age, Royal Bloods, Band of Skulls, Led Zeppelin, booze.

What is team Hore working on at the moment? The Hore team is currently starting to write a new EP which may well turn into an album with the way writing is going. Either way it's going to be called Ultra Violent Tennessee Cobblers, it will be phat and loud and in your face.

What's the biggest moment you've had as a band? hmmm thats a tough one, I'd say probably when we headlined a show at the Standard in Sydney, its a massive venue and the best stage we have played on. sound was great, supports band were awesome, and everyone had a great time!

Here's possibly the most important question of the interview - how many tattoos do the members of Horegeous have? Well I can only speak for myself, which I have 5 silly rock & roll tattoo's, I know Chris (bass) has a few as well and innocent Sweet D (Dale-drums) hasn't got any, he has probably pierced his cock by now though.

Anything else you'd like to add? Keep your eyes peeled for when we are playing near you! and check us out online!

Finally, why should everyone run out attend the next Horegeous gig? So you can come have a bogey to some live music and get nice and boozy with us!



Heya Novocastrians,Novocastrians Who Brunch is excited to be a new regular feature in Newcastle Mirage’s street magazine highlighting all things Newcastle. I am just a Newcastle girl and some friends who love to try new and old brunch/ breakfast haunts in Newcastle and love to highlight and share my opinions on them. Every month you can read my favourite pick for the month. If you need a weekly fix go to our blog at:, follow on FB page: Novocastrians Who Brunch or our Instagram: @novocastrianswhobrunch.


  This month’s favourite is a hipster Cuban café in Newcastle West, The Social: Newcastle West on 774 Hunter St On COFFEE I had high expectations for The Social's coffee, it being the sister cafe' to Sprocket near the mall on Hunter St.Great coffee, great coffee. To got her usual piccolo which had a lovely aroma, it was very smooth and strong. I got my usual cappuccino. It was a great coffee however mine was slightly weak for my liking. It is better to order a double shot cappuccino to really enjoy their amazing smooth coffee. Great coffee overall, we give an overall rating of 8/10. On FOOD The Social's morning menu is a good mixture of brunch and breakfast options. I got the tortilla with beef and chorizo. I did not want to stop eating when I was full. It was very big and very tasty. I must say one of the best breakfast burrito/ tortilla I have had in Newcastle. I definitely recommend this to everyone who loves a good breakfast burrito. To was quite boring with her brunch choice and got toast and Vegemite. She enjoyed it, nice bread good amount of Vegemite. Overall food was 9/10 easy. I can not wait to go try other breakfast options! On ATMOSPHERE From everywhere I have had brunch or breakfast I must say The Social had it's own unique feel about it. It successfully gives you a taste of hipstered Cuban flavour. Almost all the booth like tables with the 'bus seats' have dominoes. It had a really relaxed cool feel about the place. I recommend going for a chilled chat with a friend over dominoes or go for a casual coffee and something extra over the paper. Must give The Social's atmosphere a rating of5/5 easy. The BRUNCH BREAKDOWNnm_web_images_3 All in all the breakfast, the coffee and the atmosphere comes together beautifully. The Social's breakfast tortilla I am still drooling over; their smooth coffee aroma and unique atmosphere is a must go for Novocastrians who love to brunch. The Social's overall rating is a solid 22/25. Brunch on Newcastle, Ja and Company xoxo.