60 Seconds with CHRIS BROWN / by Kian West

CHRIS_WEB.jpg

60 Seconds with CHRIS BROWN

by KIAN WEST

 

CHRIS BROWN IS A BUSY BOY. PHOTOGRAPHY, RUNNING A COMMUNITY GARDEN IN BELMONT & FERMENTING JUST THINGS TO NAME A FEW. THIS IS THE PART WHERE I TELL YOU, DEAR READER, WHAT WE TALKED ABOUT. WE TALKED ABOUT CHRIS' INTEREST IN PHOTOGRAPHY. BUT SEE FOR YOURSELF.

How would you describe the photography that you take? My work is a mixture of film and digital photographs, largely portraits – which range from informal documentary style right through to heavily styled studio work. I have 29 cameras and tend to have a few different projects running at the same time. Say for example, I might be working on digital studio portraits, recording everyday life, and another film project where I play around with negative layering, double exposures, carefully controlled light leaks and other fun techniques. I like to experiment and have several things going at the one time.

What are you working on at the moment? I am working on a fashion shoot with a few friends of mine, my upcoming exhibition “Everyone I Know, Everything I've Seen”, an artist residency and a series about community gardens.

Where is your next event? 16th May, 2014, at Churchkey Espresso, Hunter St 6:30pm.

When do you like to take Photos? Is it all about timing or are you always on? My camera is connected to my body via umbilical cord. My camera goes everywhere and I feel weird if it's not with me.

Who is your biggest influence/s? Oh, hard to say. I would rather say that moods are my biggest influence. I can be inspired by the mood of a song, a painting or a landscape just as much as a visual artist.  I get inspired by emotions, feelings and the environment. I have always been  interested in 'exhale moments' – moments in life where you just stop and have a deep breath for whatever reason. Where the mind gets even just one or two seconds to have a break and forget about all the stuff happening in the world. It's not a meditation or de-stress thing, it's got to do with my fascination with people who are comfortable in their own skin and in their own head. I think it's about confidence. Confidence is sexy.

If you could shoot anywhere where would it be? Or who would it be? The mountains of Tasmania would be my location of choice... Such a harsh yet magnificent place.